Art Composition For The Beginner And Beyond

This course is entirely about planning a good composition, and the rules that should apply.

Last updated 2022-01-10 | 0

- The students will learn the fundamentals of composition
- Leading lines; Rules of thirds; Golden Ratio; Rules of space and many more.
- The student will learn how to create depth in a painting; also symmetry and balance.
- The student will also learn to show a focal point
- and will understand the importance of a focal point.

What you'll learn

The students will learn the fundamentals of composition
Leading lines; Rules of thirds; Golden Ratio; Rules of space and many more.
The student will learn how to create depth in a painting; also symmetry and balance.
The student will also learn to show a focal point
and will understand the importance of a focal point.
The student will understand the importance of good composition.
The student will be shown how previous masters and present important painters rely on good composition.
We will look at the theory of composition and the way this affects how the painting is perceived
The student will learn how to set out the painting using simple mathematics

* Requirements

* No previous knowledge of painting or composition is necessary.
* A desire to learn.
* An open mind to different approaches.
* Be ready to experiment
* A ruler and a calculator could be handy

Description

"Composition gives layout and structure to the painting, it also effects the way the subject is perceived and understood. Good composition leads the eye of the observer through the painting and then emphasises the focal point"

This course will cover the rules of composition, and how to improve the student's planning of their paintings to ensure that they have looked at the guidance given in this course. Planning is an important part of any painting in order to get the most benefit from the work. Not all rules will be either necessary or significant in a successful painting, but to understand what rules there are, will give the student the opportunity to be selective in improving their work.

Subsequent to this course the student will be able to decide whether some or all of the rules are necessary in any particular work. The guidance given in the course is based upon historical learning and interpretation, many of the rules mentioned have been utilised by past masters as well as present day famous artists. One question asked, is, whether the planning of a painting is intuitive or entirely through mathematical means, the answer is shown to be part intuition, and part planning through a given process.

I have provided a written course structure, which can be downloaded, to go alongside the lessons, in order for the student to follow the process more easily. The composition rules and guidance will be shown in detail by looking at famous artists and how they planned their work. I will also show my paintings and how and whether I have intuitively planned in accordance with the historical rules, or not.

I will then show the student how to set out paintings utilising the rules as discussed, in order to get the most from their paintings.The course will concentrate on the Golden Ratio rule, which was utilised by past masters and is still used by present day professional artists.



Who this course is for:

  • All ages who want to improve their skills
  • Anyone who wants to take their work to the next level.
  • Anyone who is interested in the theory of art.
  • Anyone who is interested in improving their painting
  • Anyone who would like to learn about composition and be able to utilise the basic rules

Course content

4 sections • 9 lectures

Introduction Preview 17:57

This lecture sets out the course and how I will approach the description of composition and the rules governing good composition. This is purely an introduction to the content of the course and the means by which I will approach the lectures.

2 Preview 16:44

In this lecture I set out the golden ratio calculations methodology, and the relationship to a sheet of A4 . I look at how the  golden ratio relates to an Andrew Wyeth painting. The methodology incorporates horizon lines and the suggested location of the focal point. I look in detail as to whether Andrew Wyeth complies or not. This section will give the student more details to verify the composition rules. We will also review Rowland Hilder, looking in detail at his painting, quite different to Andrew Wyeth.



LECTURE 3 Preview 13:21

This lecture deals with a painting by John Blockley, and whether it complies with the rules of composition particularly the Golden Ratio.

LECTURE 4 Preview 17:00

This lesson deals with Andrew Wyeth's painting, and whether it complies with the rules of composition and the Golden Ratio. The painting depicts a particular mood, and he uses fundamental rules of composition to reinforce the sadness and depravation.

LECTURE 5 Preview 16:58

Lesson 5 deals with Philip Jamison's painting, and whether it confirms compliance with the rules of composition and the Golden Rule.

LECTURE 6 Preview 10:55

In this lesson I use two of my own paintings, to verify or otherwise whether any rules of composition are prevalent. Again I look at establishing where horizon lines and the Golden Ratio are pertinent. I look in detail at the general rules of composition. The question is whether these rules are intuitive or are due to mathematical calculations.

LECTURE 7 Preview 23:51

In this lesson I set out and plan a painting based upon the rules of composition and the Golden Ratio. This is a preplanning phase of a painting before starting to paint. It will establish a criteria to ensure that the final painting is better planned.

CONCLUSION Preview 01:25

Hopefully the course will provide enough information to consider whether you will  be able to utilise some or all of the information contained in these lectures.You should plan a painting before getting into the actual painting.